We offer a range of exceptional step-up cartridge transformers (SUT) suitable for most cartridge impedances and a choice of ratio. Multi-section winding techniques are used to maximize bandwidth and transient response. All our cartridge transformers are constructed on Mumetal (76% Nickel) cores for minimal distortion and high bandwidth.. Our new "top of the range" type 1480 is "geometrically" balanced to provide virtualy perfectly phase split outputs for driving a push-pull amplifier. Connection is by colour coded flying leads (6 inches long). Octal base available for small extra charge. All types are contained in heavy gauge Mumetal screening can and may be used as they are or mounted in a plastic, wood or metal box as no other screening is required. TWO TRANSFORMERS are required for a stereo system
SPECIFICATIONS (for more detail click the type number) | |||||||
Quote | TYPE click for spec |
Application | Ratio | Cartridge Z (ohms) | Bandwidth +/- 0.5 dB |
Recommended for |
Can |
Buy | 1480 | Low impedance |
1:10 | 1-15 | 5Hz -120KHz | Z < 15 Ohms | J |
Buy | 9570 | 1:10 | 1-100 | 5Hz-100KHz | Z < 100 Ohms | e | |
Buy | 9990 | 1:20 | 1-15 | 5Hz-100KHz | <250 micro Volts |
e | |
Buy | 1590 | 1:30 | 1-3 | 5Hz-60 kHz | <250 micro Volts | e | |
Buy | 1990 | Configurable ratio |
1:10 or 1:20 |
1-40 or 1-10 |
5Hz-100KHz | Z < 40 Ohms | e |
Buy | 1090 | Moving Magnet | 1:2 | ~1000 Ohms | e |
CHOICE OF TRANSFORMER
It is important to choose the right transformer for the cartridge you have. The choice depends on a combination of factors.
CARTRIDGE LOADING
In general Moving Coil cartridges work best when connected to a load impedance at least ten times the cartridge impedance. Some cartridges need to be damped to prevent high frequency resonance of the moving parts and it is a good idea to experiment with various loads to see if this improves the sound. We recommend using a resistor across the secondary of the transformer. Note that the reflected load (as seen by the cartridge) will be the load resistor times the ratio squared. A reflected load of between 5 and 20 times the cartridge impedance might be suitable. So for example if the cartridge impedance is 5 ohms and you want to try a damping load of 50 Ohms and you are using a transformer with a ratio of 1:20, the secondary resistor should be 50 x 20 squared = 20k Ohms. With a ratio of 1:10 the resistor would be 50 x 10 squared = 5k Ohms. With a 1:30 ratio and a 10 Ohm cartridge the load should be not less than 90K Ohms. The minimum load value in the table below is also a guide to setting the load but it is recommended to carry out listening tests.
RECOMMENDED TRANSFORMERS BY CARTRIDGE | |||||||||
Manufacturer | Model | Z(Ohms) | Min Load (Ohms) | Output (uV) | Recommended SUT | ||||
1480 | 9570 | 9990 | 1990 | 1090 | |||||
Audio Technica | AT-OC9ML/II | (2)? | 20 | 500 | o | o | o | o | |
Benz Micro | Ref 2 Silver | 8.5 | 100 | 300 | o | o | o | o | |
Benz Micro | Glider L2 | 12 | 120 | 300 | o | o | |||
Benz Micro | L2 | 13 | 100 | 300 | o | o | |||
Benz Micro | MC Gold | 20 | 200 | 400 | o | ||||
Benz Micro | Glider M2 | 24 | 200 | 800 | o | ||||
Benz Micro | M2 | 24 | 200 | 800 | o | ||||
Benz Micro | LP Ebony | 38 | 500 | 280 | o | ||||
Benz Micro | Ruby 2 | 45 | 400 | 450 | o | ||||
Benz Micro | Ruby 3 | 40 | 400 | 340 | o | ||||
Benz Micro | Ruby H | 85 | 1000 | 800 | o | ||||
Benz Micro | Glider H2 | 90 | 1000 | 2500 | o | ||||
Benz Micro | H2 | 90 | 1000 | 2500 | o | ||||
Benz Micro | MC20E | 110 | 47000 | 2200 | o | ||||
Benz Micro | MC Silver | 120 | 1000 | 2000 | |||||
Benz Micro | Ace L | 12 | 200 | 400 | o | o | |||
Bloom H | R50 | 8 | 100 | 480 | o | o | o | o | |
Cardas | Heart | 40 | 400 | 300 | o | ||||
Cardas | Myrtle | 45 | 500 | 380 | o | ||||
Clear Audio | Victory-Gold | 9 | 90 | 200 | o | o | o | o | |
Clear Audio | Accurate | 50 | 500 | 600 | o | ||||
Clear Audio | Discovery | 50 | 500 | 500 | o | ||||
Clear Audio | Gamma | 50 | 500 | 500 | o | ||||
Clear Audio | Insider Gold | 50 | 500 | 600 | o | ||||
Clear Audio | Insider Reference Wood | 50 | 500 | 700 | o | ||||
Clear Audio | Sigma Wood | 50 | 500 | 600 | o | ||||
Clear Audio | Signature | 50 | 500 | 500 | o | ||||
Clear Audio | Victory H | 50 | 500 | 600 | o | ||||
Denon | DL-103 | 40 | 100 | 300 | o | ||||
Denon | DL-103R | 14 | 100 | 300 | o | o | |||
Denon | DL-301 Mk2 | 33 | 330 | 400 | o | ||||
Denon | DL-304 | 40 | 100 | 180 | o | ||||
Denon | DL-110 | 160 | 47000 | 1600 | o | ||||
Denon | DL-S1 | 40 | 100 | 150 | o | ||||
Denon | DL-160 | 160 | 47000 | 1600 | o | ||||
Dynavector | DV XX-1L | 3 | 30 | 250 | o | o | o | o | |
Dynavector | Te Kaitori | 4 | 100 | 250 | o | o | o | o | |
Dynavector | DV17D2 MkII Karat | 38 | 100 | 230 | o | ||||
Dynavector | DV23RS MkII | 10 | 100 | 150 | o | o | o | o | |
Fuji | ZYX R-100 | 4 | 100 | 250 | o | o | o | o | |
Goldring | Elite | 8 | 100 | 500 | o | o | o | o | |
Grado | Master | 2 | 20 | 500 | o | o | o | o | |
Grado | Platinum | 2 | 20 | 500 | o | o | o | o | |
Grado | Reference | 2 | 20 | 500 | o | o | o | o | |
Grado | Sonata | 2 | 20 | 500 | o | o | o | o | |
Immutable Music | Transfiguration Spirit | 10 | 100 | 400 | o | o | o | o | |
Koetsu | Platinum | 5 | 50 | 250 | o | o | o | o | |
Koetsu | Black | 5 | 30 | 400 | o | o | o | o | |
Koetsu | Rosewood | 5 | 100 | 600 | o | o | o | o | |
Lynn | Troika | 5 | 100-470 | 200 | o | o | o | o | |
Lyra | Titan i | 5.5 | 100 | 500 | o | o | o | ||
Lyra | Parnassus | 2 | 100 | 250 | o | o | o | o | |
Lyra | Helikon Mono | 3 | 100 | 250 | o | o | o | o | |
Lyra | Lydian Beta | 4 | 100 | 500 | o | o | o | o | |
Miyabi | Alnico | 4 | 40 | 250 | o | o | o | o | |
Ortofon | SPU Meister A | 1.5 | 10 | 300 | o | o | o | o | |
Ortofon | SPU Meister GM | 1.5 | 10 | 300 | o | o | o | o | |
Ortofon | SPU Meister Silver A | 1.5 | 10 | 300 | o | o | o | o | |
Ortofon | SPU Meister Silver GM | 1.5 | 10 | 300 | o | o | o | o | |
Ortofon | SPU Classic A | 2 | 10 | 100 | o | o | o | o | |
Ortofon | SPU Classic A E | 2 | 10 | 200 | o | o | o | o | |
Ortofon | SPU Classic GM | 2 | 10 | 200 | o | o | o | o | |
Ortofon | SPU Classic GM E | 2 | 10 | 200 | o | o | o | o | |
Ortofon | SPU Reference A | 3 | 10 | 200 | o | o | o | o | |
Ortofon | SPU Reference GM | 3 | 10 | 200 | o | o | o | o | |
Ortofon | SPU 90 Anniversary | 2 | 10-50 | 300 | o | o | o | o | |
Ortofon | Kontrapunkt a | 5 | 50 | 470 | o | o | o | o | |
Ortofon | Kontrapunkt b | 5 | 50 | 450 | o | o | o | o | |
Ortofon | MC 10 Super MkII | 5 | 10 | 200 | o | o | o | o | |
Ortofon | MC 10 Supreme | 5 | 20 | 500 | o | o | o | o | |
Ortofon | MC 20 Super MkII | 5 | 10 | 200 | o | o | o | o | |
Ortofon | MC 20 Supreme | 5 | 20 | 500 | o | o | o | o | |
Ortofon | MC 2000 MkII | 5 | 20 | 125 | o | o | o | o | |
Ortofon | MC 30 Super MkII | 5 | 10 | 200 | o | o | o | o | |
Ortofon | MC 30 Supreme | 5 | 20 | 500 | o | o | o | o | |
Ortofon | MC 3000 MkII | 5 | 10 | 125 | o | o | o | o | |
Ortofon | MC Jubilee | 5 | 10 | 340 | o | o | o | o | |
Ortofon | MC 10 Super | 6 | 10 | 300 | o | o | o | o | |
Ortofon | MC 25 E | 6 | 20 | 500 | o | o | o | o | |
Ortofon | MC 25 E | 6 | 20 | 500 | o | o | o | o | |
Ortofon | MC 25 FL | 6 | 20 | 500 | o | o | o | o | |
Ortofon | MC 25 FL | 6 | 20 | 500 | o | o | o | o | |
Ortofon | MC 5000 | 6 | 20 | 140 | o | o | o | o | |
Ortofon | MC 7500 | 6 | 70 | 130 | o | o | o | o | |
Ortofon | MC Rohmann | 6 | 10 | 250 | o | o | o | o | |
Ortofon | Rohmann | 6 | 100 | 250 | o | o | o | o | |
Ortofon | SPU Royal A | 6 | 100 | 200 | o | o | o | o | |
Ortofon | Rondo Red | 6 | 100 | 500 | o | o | o | o | |
Ortofon | SPU Royal GM | 6 | 100 | 200 | o | o | o | o | |
Ortofon | SPU Royal N | 6 | 100 | 200 | o | o | o | o | |
Ortofon | MC 15 Super MkII | 7 | 20 | 340 | o | o | o | o | |
Ortofon | Tango | 10 | >20 | 500 | o | o | o | o | |
Ortofon | Samba | 6 | >10 | 300 | o | o | o | o | |
Ortofon | Salsa | 7 | >20 | 380 | o | o | o | o | |
Pickering | XLZ-7500-S-mk2 | unknown 5 Ohms? |
load 50 to 250 | 330 | o | o | o | o | |
Shelter | 901 | 5 | 100 | 1400 | o | o | o | o | |
Shelter | 501 II | 10 | 100 | 400 | o | o | o | o | |
Sumiko | Pearl | MM | MM | o | |||||
Sure | V15VxMR | MM | MM | 3 mV | o | ||||
Van den Hul | Black Beauty a | 16 | >500 | 500 | o | ||||
Van den Hul | Black Beauty b | 41 | 47k | o | |||||
Van den Hul | Black Beauty c | 96 | 47k | o | |||||
Yamaha | MC11 | 30 | 300 | 350 | o |